Julika Rudelius

One of Us

Video installation
29:30 min
HD video
2 synchronized hard drives
English spoken
2010

By staging romantic scenes between real-life lovers One of Us conjures the ideal of the happy couple like a hologram through which the artist herself steps. Interrupting the illusion of intimacy by inserting herself in its image. The pairs clearly draw their sense of self from their relationship, practicing a form of "individualism for two". The words exchanged between the lovers echo phrases from pop culture's ubiquitous representations of love and happiness. And yet these are their own genuine feelings, which are unexpectedly distilled by the many interventions of the maker. She watches and touches the lovers in their most tender moments and is met with complete indifference as they remain totally enamored with each other.

Dressage

Video installation
08:59 min
HD video
English spoken
2009

Dressage features wealthy 10-12 year old girls - Upper Eastside Manhattan, 21st Century society ladies of the future - dressed in mini-designer clothes and immaculately groomed. The film begins with the girls picking out chic outfits and chatting amongst themselves, latest model cell phones in hand. A concentrated hush falls over the room as they set about expertly applying their make-up. But the mood shifts as the girls, with an attitude of blasé entitlement, begin systematically and violently tearing apart their surroundings. As their wordless, perhaps mindless destruction continues - during which they never really totally lose their demeanour - it becomes clear that they are in a room within a room, that there is no outside, no real breaking 'free'.

Rites of Passage

Video installation
14:00 min
HD video
2 synchronized hard drives
English spoken
2008

Set in traditional offices and lounges in Washington D.C, the film explores the game of power and dependency, domination and obedience between influential political figures and interns at the beginning of their professional careers in government. The ambivalent relationship between politician and intern, master and pupil, is observed as an almost erotic game where the distinctive sex appeal of power is a natural consequence and ingredient of “charismatic leadership”. Screened as a synchronized double projection, documentary footage is weaved together with staged sequences based on real interviews and observed gestures.

Adrift

Video installation
4:50 min
HD video
2007

The twenty people that I assembled are seated inside an anonymous waiting room, drifting between the waking world of bureaucracy and administration and a childlike state of dreams and vulnerability. The room bobs and sways, knocking the sleepers’ heads from side to side. Amidst the gentle tumult of the room, the unconscious sleepers shift about as they try to remain comfortable despite the unusual movement.

Forever

Video installation
16:40 min
2 synchronized DVDs
English spoken
2006

I cast five American women of a certain age for their beauty. They are posing at upscale private swimming pools and reflect on their ideas of beauty, ways to obtain it and it's relationship with privilege. One never hears the questions which circle around intangible ideas such as what it means to be happy and/ or beautiful. The video is punctuated by the women taking self-portraits with a polaroid camera.

Where do we migrate to

07:10 min
DVD
2005

A collection of sometimes observed, sometimes staged behaviours that I filmed while on a return visit to Germany.
The video was made for the exhibition “Migration” in Cologne, Germany.

Economic primacy

Video installation
17:56 min
2 synchronized DVDs
Dutch with English subtitles
2005

I selected five men for the video:
a lawyer, a spin-doctor, a media advisor,
a millionaire and a top manager.
They are filmed pacing around in a generic office space, that was specially constructed for the video. While they appear talking
to themselves, they are in fact responding to questions I am asking them over
a hands-free phone. In their “monologues” they talk about the importance and omnipotence of money.

Family times

Video projection
6 min
DVD
2004

A montage of found family footage from a public archive in Hungary. Daily scenes in an average family-life on relationships, dependencies, abuse of power and voyeurism.

Your Blood Is As Red As Mine

Video projection
15:56 min
DVD
English subtitles
2004

A series of staged interviews and situations dealing with skin colour and representation of “the other”. At certain moments I took large format photographs from the same viewpoint as the video camera. Some of the photographs are shown along with the video.

Your blood is as red as mine/ Portrait 01
Large format photograph
65 x 80 cm
2004

Tagged

Video installation
13:24 min
3 synchronized DVDs
English subtitles
2003

I invited young men who spend a lot of money on clothes to bring their wardrobes to a generic hotel room, specially constructed for the video. While changing into different outfits they talk about their backgrounds, their addiction to clothes, and about the price they pay.

Looking at the other/desire

Video projection
02:50 min
DVD
2003

Only sight and touch enable us to locate the things around us

Video projection
06:50 min
DVD
2003

The video shows ritual every day movements of a woman who is suffering of an illness that numbed her sense of touch by killing all the outer nerve ends of her body. In order to be able to live independently she had to relearn all movements of her life again only controlling them with her eyes. She is filmed in her house where she also has several turtles, which are in many cultures seen as the symbol for the sense of touch, the fifth sense.

The Highest Point

Video projection
12:40 min
DVD
English subtitles
2002

I placed an ad in the newspaper inviting women to speak openly about their sexuality. Over 30 women responded. Many of the women expressed a desire to create a different image of sexuality than that found in the current media. The women were interviewed in a place that suggests both a private house and a consulting room. They describe their sex lives using dry technical language while demonstrating the positions they would generally use.

Train

Video projection
06:20 min
DVD
English subtitles
2001

I invited a group of young men on the street to be in a video in which they would talk about women and love. During the filming I lead the conversation through questions (not audible in the video), but without a script. The roles they played are close to their own roles in the group, but I asked them to exaggerate certain parts of their opinions on women. The video was shot in a train.

Queue

Synchronized four monitor installation (split-screen)
04:50 min
4 DVD's
English subtitles
2001

Shot outside a nightclub, a surreptitiously placed actor discusses his intimate private life in front of a staged TV crew. The video captures the reactions of the surrounding bystanders to his stories and their interaction with the TV camera.

Plush

3 monitors Installation
03:20 min
3 synchronized DVD's
2001

An identical triplet talk about their own ideas and expectations dominated by clichés while each of them also individually refers to the facts of their life. Filmed in the same three or four settings looking slightly different from one another, the individual identities of the three girls remains intentionally unclear. Furthermore the video implies the complex possibility of one actress who is deliberately placed to represent the conservative politics by engaging in a limited, repeated vocabulary and applying them to three different biographies.

Interview 01

Video projection
04:31 min
DVD
English subtitles
2000

Four actors meeting for the first time haven been given personalities and relationships upon which their dialogues have been built, then the subsequent interview was filmed during which they have been asked to maintain the idea and appearance of their friendship while criticizing the other actors as much as possible towards the camera.

Series Reconstruction
4/c prints, 2000 - 2003

Reconstruction 01
4/c print
110 x 120 cm
2000

In order to question the politics imbedded in the visual clichés of immigrant populations, a series of photographs of subjects posing as immigrants in their 'native costumes' have been created. These immigrants are found in an unexpected and/ or inappropriate settings in relation to their racial and cultural background.

Study for Reconstruction 05

4/c Print
80 x 85 cm
2001

Forms

Video projection
02:40 min
DVD
2000

A gliding camera follows two women in djellaba and headscarf walking between the cars in a parking lot. After a while, one gradually discovers that only the outlines of their faces and dresses seem to suggest their identity, while the individual features of their faces have disappeared

Without title

Video projection
03:40 min
DVD
2000

Shot during a slow moving rush hour traffic, a group of drivers have been subject to a voyeuristic perspective. In one car a man is found having a screaming fit while the woman next to him calmly and blankly keeps staring out of the window.

R+J

01:52 min
DVD
1999

A young couple found in an iconic embrace was asked to remain in the same position for an extended period of time. The only detectable movements in the work are their breathing and the surface of water in the lake behind them.

Solo exhibitions (a selection)

2011

– Rites of Passage: A Work of Julika Rudelius
   Borges Liberia, Guangzhou, CN

2010
 
– One of Us
   Galerie Reinhard Hauff, Stuttgart, D
– One of Us
   Galerie Michael Janssen, Berlin D
– Julika Rudelius: Soft
   Ursula Blickle Stiftung, Kraichtal, D (cat)
– Julika Rudelius: Projections
   Center for the Arts at Wesleyan University, Middletown, USA


2009
 
–Study in Obedience
   Galerie Diana Stigter, Amsterdam, NL
– Ecstatic Truth (two person show)
   Dumbo Arts Center, Brooklyn, USA

2008
 
– Rites of Passage
   Galerie Reinhard Hauff, Stuttgart, D
– Impakt Event: Julika Rudelius
   Utrecht, NL

2007
 
– Forever
   Swiss Institute of Contemporary Art, New York, USA

2006
 
– 'Geld! Julika Rudelius'
   Grazer Kunstverein, Graz, AU

2005
 
– Julika Rudelius. Vijf videowerken 2001–2005
   Frans Hals Museum/De Hallen, Haarlem, NL (cat)
– Ansichten der Ökonomie/Economic Primacy
   Kunstraum Lakeside, curated by Hedwig Saxenhuber,
   Die Springerin, Klagenfurt, AU

2004
 
– Julika Rudelius
   Galerie Reinhard Hauff, Stuttgart, D
– Plus ou moins jeunes
   Centre Culturel Suisse, Paris, F
– Feuilleton, deel vijf
   Marres, centrum voor actuele kunst, Maastricht, NL (cat)
– BijlmAir: Your Blood is as Red as Mine
   Stedelijk Museum Bureau Amsterdam/
   Artotheek Zuidoost, Amsterdam, NL

2003
 
– You can’t stay in the 80s wearing cowboy boots
   while the whole world progresses
   Kunsthaus Glarus, CH (cat)

2001
 
– Julika Rudelius
   Galerie Diana Stigter, Amsterdam, NL
– Talkshow
   Stedelijk Museum Bureau Amsterdam, NL (cat)

Group exhibitions (a selection)

2011
 
– IKJIJWIJ.
   Rabo Kunstzone, Utrecht, NL
– Role Images - Role Playing
   Museum der Moderne, Salzburg, AT
– Hors Pistes Festival
   Centre Pompidou, Paris,FR
– She Devil 5
   MACRO Museo d'arte Contemporanea di Roma, Rome, IT
– Where Do We Migrate To?
   The Center Design and Visual Culture, Baltimore,US (cat)
– From Interaction to Micro-Sociology
   Art Issue Projects, Beijing, CN
– A Portrait of the Artist As A Young Man
   Galerie Reinhard Hauff, Stuttgart, D
– Open Frame First Movement
   Centre Régional d'Art Contemporain, Sète,FR
– Über die Metapher des Wachstums: Traveling Exhibit
   Kunstverein Hannover, Hannover, D,
   Frankfurter Kunstverein, Frankfurt, D
   Kunsthaus Baselland, Basel, CH (cat)
– Into the Eye of The Storm
   The Israeli Center for Digital Art, Holon, IL
– Precarious Status
   University Gallery at the University of Florida, Gainesville, FL

2010
 
– The Morality Project Act VI: Remember Humanity
   Witte de With, Rotterdam, NL
– Applied Reality
   Heden Contemporary Art, Den Haag, NL (cat)
– Double Infinity: Last Two Decades Revisited
   Van Abbemuseum and Arthub Asia, Shanghai, CN
– Saturday Sessions
   PS1 Contemporary Art Center, New York, NY
– And the moral of the story is…
   apexart, New York, NY
– HBOX: Traveling Exhibit
   New Museum, New York, USA; Laboratorio Arte Alameda, Mexico City, MX,
   Fondation Beyeler, Basel, CH
– Inversiones
   Museo de Antioquiq, Medellin, CO
– Media City Seoul 2010 Biennial
   Seoul Museum of Art, Seoul KR
– California Dreamin
   Portugal Arte 10, Lisbon PT
– Das ist die Lebenswelt
   Neuer Aachener Kunstverein, Aachen, D
– Niet Normaal: Difference on Display
   Beurs van Berlage, Amsterdam, NL

2009
 
– Looking at Others
   Umjetnicki paviljon, Zagreb, HR
– De Ideale Vrouw
   Noorbradants Museum, Den Bosch, NL
– Strategies of Confidence
   NICC, Antwerp, B
– ICP Triennial 2009
   International Center of Photography, New York, USA (cat)
– 21st Century Exhibition, Incheon Women Artist Biennial
   Incheon, KR (cat)
– Heiss Oder Kalt
   Haus der Kulturen der Welt, Berlin, D
– Heartland
   Smart Museum, Chicago, USA (cat)
– Actors and Extras
   Argos Centre for Art and Media, Brussels, BE (cat)
– Golden Agers and Silver Surfer
   Kunsthaus Baselland, Basel, CH
– Talk, talk: Traveling Exhibit
   HGB Leipzig, D
   Kunstverein Medienturm,Graz, AT
   Galerie 5020, Salzburg, AT R
– Revisie
   Utrecht, NL
– Niet Normaal, Difference On Display
   Beurs van Berlage, Amsterdam, NL
– Extended
   Museum Für Neue Kunst (ZKM), Karlsruhe, D
– Foto Festival: Images Recalled
   Mannheim, D traveling to Ludwigshafen, D and Heidelberg, D
– Rietveld Arsenale
   Venice Arsenale, Venice, IT
– Rebelle
   Museum voor Moderne Kunst, Arnhem, NL (cat)
– Can't Rape the Willing
   Second Floor, Brooklyn, USA
– Butt in Ass
   Asia Song Society, New York, USA
– Das Bielefelder Gefuhl
   Bielefelder Kunstverein, Bielefeld, D
– Come in, friends, this house is yours
   Badischer Kunstverein, Karlsruhe, D

 

2008
 
– Heartland
   Van Abbemuseum, Eindhoven, NL
– Hollywould
   10th Biennale Film, Video & New Media Arts Festival, Hollywood, USA
– Vertrautes Terrain
   Museum Für Neue Kunst, Karlsruhe, D
– De Samaritaan
   Corveshof/ Hermitage, Amsterdam, NL
– Dutch Dare
   Fondazione Studio Marangoni, Florence, I
– Bare Market
   Thierry Goldberg Projects, New York, USA
– Courtesy Hans Kemmna
   De Hallen Museum, Haarlem, NL
– Breaking Walls Festival
   Brakke Grond, Amsterdam, NL

2007
 
– Art Summer University (speech/ screening)
   Tate Modern, London, UK
– MachineRAUM – a biennale for video art and digital culture
   Vejle Art Museum, Vejle, DK
– A Spectral Image of Self
   Newcomb Art Gallery Tulane University, New Orleans, USA
– The Big Easy: Relocating the Myth of the West - First part
   Halle 14, Leipzig, - Second part ACC Galerie, Weimar, D
– Elegance
   Kölnischer Kunstverein, Cologne, D
– Nothing Else Matters
   De Hallen/ Frans Hals Museum, Haarlem, NL
– Speakers
   Aeroplastics Contemporary, Bruxelles, B
– Dutch Dare
   Erasmushuis, Jakarta, ID
– Role Model
   Freymond-Guth & Co., Fine Arts/ The John Institute, Zürich, CH
– Temporarily Disconnected
   Bard Museum, Annandale-on-Hudson, USA
– Energeia
   Virtueel Museum Zuidas, Amsterdam, NL
– Global Feminisms
   Brooklyn Museum, Brooklyn, USA (cat)
– Ready Media
   Montevideo/Time based arts, Amsterdam, NL

 

2006
 
– Gwangju Biennale
   Gwangju, KR (cat)
– Dutch Dare
   ACP, Sidney, AU
– Monitoring
   Kulturbahnhof Kassel, Kassel, D
– The youth of today
   Schirn Kunsthalle Frankfurt, Frankfurt, D (cat)
– World Unlimited
   Museum voor Moderne Kunst Arnhem, Arnhem, NL
– Momentum 2006
   4th Nordic Festival of Contemporary Art, Moss, NO
– 30th annual, 6th Biennial exhibition of Visual + Art: Give (a)way
   Limerick, IR

2005
 
– Respect! Formes de cohabitation/Vormen van samenleven
   Musée Dar Si Saïd, Marrakech, M (cat)
– A Second Sight
   International Biennale of Contemporary Art 2005’,
   National Gallery, Prague, CZ (cat)
– Recreating the Case
   Kunsthaus Glarus, CH
– Migration
   Kölnischer Kunstverein, Cologne, D (cat)
– Populism(3 locations)
   Stedelijk Museum Amsterdam, NL
   Frankfurter Kunstverein, Frankfurt a.M., D,
   The Contemporary Art Center, Vilnius, LIT
– Populism
   Frankfurter Kunstverein, Frankfurt a.M., D
– Populism
   The Contemporary Art Center, Vilnius, LIT
– Documentary Strategies
   TENT. Centre for Visual Arts, Rotterdam, NL (cat)

2004
 
– Untitled
   Tate Modern, London, UK
– Rheinschau – Art Cologne Projects
   Rheinforum, Cologne, D,
   organized by Stedelijk Museum Bureau Amsterdam
– Histoire(s) Parallèle(s) création – confrontation France Pays-Bas
   Institut Néerlandais, Paris, F (cat)
– Revisie
   Dutch Film Festival, Centraal Museum, Utrecht, NL
– Antonietta Peeters, Julika Rudelius en Lily van der Stokker
   Stedelijk Museum, Schiedam, NL
– Verworpenen en zondagskinderen: Aanwinsten 2003
   Frans Hals Museum, Haarlem, NL
– Teenage Kicks. Adolescence as subject
   The Gallery, Royal Hibernian Academy, Dublin, IR (cat)
– Wirklich wahr! Realitätsversprechen von Fotografien
   Ruhrlandmuseum, Essen, D (cat)
– Das zweite Bild
   dreizehnzwei, Wien, Ö/Galerie Olaf Stüber, Berlin, D (cat)

2003
 
– Link
   Stedelijk Museum Amsterdam, NL (cat)
– Contemporary Dutch Art
   National Museum of Contemporary Art, Seoul, KR (cat)
– Strangers, The First ICP Triennial of Photography and Video
   International Center of Photography, New York, USA (cat)
– Turbulence
   Centre for Contemporary Art, Kiev, UKR (cat)
– Child in Time. Views of contemporary artists on youth and adolescence
   Gemeentemuseum Helmond, NL (cat)
– Turbulence
   Museum voor Moderne Kunst, Arnhem, NL
– Beyond beauty
   Galerie Diana Stigter, Amsterdam, NL

2002
 
– Rendez-vous
   Musée d'Art Contemporaine de Lyon, F
– Faces, people and society
   Frans Hals Museum, Haarlem, NL
– There’s no accounting for other peoples relationships
   Ormeau Baths Gallery, Belfast, IR
– Sold
   Christie’s, Amsterdam, NL (cat)
– Dark Spring
   Ursula Blickle Stiftung, Kraichtal, D (cat)
– Non Places
   Frankfurter Kunstverein, Frankfurt, D (cat)
– A’dam & Eve
   De Appel, Amsterdam, NL
– The People’s Art
   Witte de With, Rotterdam (cat)

2001
 
– You never walk alone
   Stroom, haags centrum voor beeldende kunst, The Hague, NL
– Commitment, een keuze uit drie jaar Fonds BKVB
   Las Palmas, Rotterdam, NL (cat)
– From Here to Reality – a dutch show
   Index The Swedish Contmporary Art Foundation, Stockholm, S (cat)
– A Arte do Povo
   Central Eléctrica do Freixo, Porto, P

2000
 
– For Real
   Stedelijk Museum, Amsterdam, NL (cat)
– Hellenistic
   W139, Amsterdam, NL
– Scripted Spaces
   Witte de With, Rotterdam, NL
– Man muss ganz schön viel lernen um hier zu funktionieren
   Frankfurter Kunstverein, Frankfurt a. M., D

Television broadcasting

2004
 
– Julika Rudelius
   documentary RAM, VPRO television
   25 April 2004
– Metrópolis
   Televisión Española, viewing of “The highest point” and “Tagged”



Grants/Prizes

2008
 
– Amsterdam Prijs
   Amsterdam, NL

2004
 
– Nederlands Film Festival
   special mention Dutch film critics for “Tagged”, Utrecht, NL

1999
 
– Robert Bosch Stiftung
   Stuttgart, D

2000
 
– KLM (Royal Dutch Airlines)
   Amsterdam, NL



Residencies

2008/09
 
– Lower Manhattan Cultural Council Residency
   New York, USA

2006
 
– International studio & curatorial program
   New York, USA

2003
 
– BijlmAir residency from Stedelijk Museum Bureau Amsterdam
   Artotheek Zuidoost, NL

1999–2001
 
– Rijksakademie van beeldende kunsten
   Amsterdam, NL

Publications



Soft Intrusion

164 pages, 21 x 28,5 mm
Text in English and German
Design: Mevis & Van Deursen
ISBN 978-1-933128-97-9
Sternberg Press, 2010




Looking at the other, Five Video Works

104 pages, 21,6 x 27,9 mm
Text in English
Essay by: Sven Lütticken
Design: Thomas Buxó
ISBN 90-78088-05-2
Valiz, 2006

Exhibition catalogues (a selection)

2008
 
– The Possibility of an Island
   Miami: Museum of Contemporary Art, p.46-47, 76
– Terrain
   Karlsruhe: Zentrum für Kunst und Medientechnologie Karlsruhe, p.61

2007
 
– Global Feminisms
   London, New York: Merrell Publishers, Brooklyn Museum, p.240,283
– Machine-RAUM, a Biennale for Video Art and Digital Culture
   Vejle: Vejle Museum of Art, p.52-53,63
– Eerste hulp bij videokunst
   Amsterdam: Stedelijk Museum, p.125-128

2006
 
– Momentum 2006: 4th Nordic Festival of Contemporary Art
   Moss: Momentum p.38
– Gwangju Biennale 2006
   Seoul: Designhouse Co. Ltd,
   volume I: pp 258/259, volume II: pp 148/149
– EV+A, 2006 - give (a) way
   Oysterhaven, Kinsale: Gandon Editions, pp. 18/19, 192-195
– The Youth of Today
   Köln: Verlag der Buchhandlung Walter König, pp. 48, 199

2005
 
– Respect! Formes de cohabitation/Vormen van samenleven
   Amsterdam: Mondriaan Foundation
– International Biennale of Contemporary Art
   Prague: National Gallery, pp. 572-573
– Projekt Migration
   Cologne: Kölner Kunstverein, pp. 196-197
– The Populism Catalogue
   Berlin/New York: Lukas & Sternberg
– Documentary now!
   Rotterdam: NAi Publishers, p. 30

2004
 
– Histoire(s) Parallèle(s) création – confrontation France Pays-Bas
   Erik Kessels, Gabriel Bauret, Paris: Filigranes Éditions
– Teenage Kicks, adolescence as subject
   Dublin: Royal Hibernian Academy
– Wirklich wahr! Realitätsversprechen von Fotografien
   Sigrid Schneider, Stefanie Grebe (eds), Ostfildern (Ruit): Hatje Cantz
– Das zweite Bild
   text by Melanie Ohnemus, Wien: dreizehnzwei

2003
 
– You can’t stay in the 80s wearing cowboy boots
   while the whole world progresses
   interview by Jan van Adrichem, Glarus: Kunsthaus Glarus
– We Show Art, 10 Years Stedelijk Museum Bureau Amsterdam
   Amsterdam: Artimo, pp. 497-508
– Link
   Amsterdam: Stedelijk Museum Amsterdam/Rotterdam:
   NAi Publishers
– XL Photography 2, Art Collection Deutsche Börse
   Ostfildern (Ruit): Hatje Cantz, p. 62-63
– In or Out, Contemporary Dutch Art
   Amsterdam: Canvas Foundation/Seoul: Yellow Sea Cultural Network
   p. 170-185
– Strangers, The First ICP Triennial of Photography and Video
   Edward Earle et al (eds), New York: International Center of
   Photography/Göttingen: Steidel, p. 92-95
– Turbulence
   Arnhem: Museum voor Moderne Kunst
– Prix de Rome 2003, Art and Public Space
   Rotterdam: 010 Publishers, p. 52-53
– Child in Time. Visies van hedendaagse kunstenaars
   op jeugd en adolescentie
   Frank Hoenjet, Linda Modderkolk,
   Helmond: Gemeentemuseum Helmond, p. 33

2002
 
– There’s No Accounting for Other People’s Relationships
   text by Suzanna Chan, Belfast: Ormeau Baths Gallery (leaflet)
– Regionalisten
   Siebren de Haan, “Cosmo Pubers”, Nijmegen:
   Paraplufabriek/Amsterdam: VRIZA, p. 28-31
– Commitment, een keuze uit drie jaar Fonds BKVB
   Lex ter Braak, Edwin Jansen, Amsterdam:
   Fonds voor beeldende kunsten vormgeving en bouwkunst
– Nabeelden. Album van niet gemaakte foto’s
   Amsterdam: De Balie, p.78-81
– Dark Spring
   Kraichtal: Ursula Blickle Stiftung
– Non places
   New York: Lukas & Sternberg, p. 46-47

2001
 
– From Here to Reality
   Stockholm: Index The Swedish Contemporary Art Foundation
– The People’s Art/A Arte do Povo
   Rotterdam: Witte de With/Porto: Central Eléctrica do Freixo, p. 51
– This is for real
   Amsterdam: Stedelijk Museum Amsterdam/NAi Publishers
   Rotterdam, p. 67-69
– Nieuwsbrief Stedelijk Museum Bureau Amsterdam no.64
   Charles Escher, “Talkshow”

Articles (a selection)

2008
 
– “Fluent~Collaborative”
    Interview: Christopher Eamon
    Claire Ruud
    Issue #93 February 2008
– “TOKION”
    Body Map
    Aimee Walleston
    Spring 2008 p. 64-71
– “De Groene Amsterdammer”
    Kunst is rijst met groente
    Angela Van Der Elst
    August 2008 p.26-29
– “Miami Herald”
    Island' forecasts a bleak future
    Fabiola Santiago
    January 11,2009
– “Het PAROOL”
    Culturele voorhoedeaan zet
    Mark Moorman,
    August 29th, 2008 p.16-17
– “Art Paper Nagoya City Art Museum”
    My Life is Beautiful?!
    Hinako Kasagi
    Nr.74 2008 p.1

2007
 
– “New York Times”
    They are artists who are women; Hear them roar
    Roberta Smith
    23.03.2007, p 35
– “Artforum.com”
    Julika Rudelius
    Miguel Amado,
    Critic's pick New York, July 2007
– “Vanity Fair”
    Das Beste der Welt
    Adriano Sack
    Nr.12 March 2007 p.186
– “Time Out New York”
    Julika Rudelius
    Lauren Cornell
    Issue 614 July 2007 p.77
– “The New Yorker”
    Women's Work
    Peter Schjeldahl
    April 2007 p.73-74
– “Village Voice”
    Breast Intentions
    Leslie Camhi
    April 11-17, 2007 p.52
– “hART Magazine”
    Forever
    Niels Van Tomme
    June 21, 2007 p.15

 

2006
 
– “Artforum”
    People's Party
    Sven Lütticken
    January 2006 p61-62
– “Frieze” nr. 96
    Emerging Artists
    January/February 2006 p. 123

2005
 
– “Art Review”
    Future greats 2005
    December 2005 p. 78
– “De Witte Raaf 116”
    Postpolitiek, pop en populisme
    Sven Lütticken
    July/August 2005 p. 30-31
– “Denieuwe” Jaargang 8 Nr. 7
    Vol van plaatsvervangende schaamte
    Saskia Monshouwer
    p. 21-22
– “Tages Anzeiger”
    Im Kaffeefleck die Welt sehen
    23.09.2005 p. 63
– “Neue Züricher Zeitung”
    Eine andere Sicht
    5.11.2005 p. 48

2004
 
– “Het Parool (PS van de week)”
    Schildenpadden en speldenprikjes
    Kees Keijer,
    25 October 2004
– “Kunstbeeld”
    De ambivalentie van goede bedoelingen
    Saskia Monshouwer
    10 October 2004 p. 22-23
– “Vrij Nederland”
    Ik kijk door de ogen van een witte trut
    Barbara van Erp
    1 May 2004
– “Flash Art”
    Julika Rudelius
    Douglas Heingartner
    January 2004