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Forever
Video installation
16:40 min
2 synchronized DVDs
English spoken
2006
I cast five American women of a certain age for their beauty.
They are posing at upscale private swimming pools and reflect on their ideas of beauty,
ways to obtain it and it's relationship with privilege. One never hears the questions
which circle around intangible ideas such as what it means to be happy and/ or beautiful.
The video is punctuated by the women taking self-portraits with a polaroid camera.
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Where do we migrate to
07:10 min
DVD
2005
A collection of sometimes observed, sometimes staged behaviours that I filmed while on a return visit to Germany.
The video was made for the exhibition “Migration” in Cologne, Germany.
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Economic primacy
Video installation
17:56 min
2 synchronized DVDs
Dutch with English subtitles
2005
I selected five men for the video:
a lawyer, a spin-doctor, a media advisor,
a millionaire and a top manager.
They are filmed pacing around in a generic office space, that was specially constructed for the video. While they appear talking
to themselves, they are in fact responding to questions I am asking them over
a hands-free phone. In their “monologues” they talk about the importance and omnipotence of money.
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Family times
Video projection
6 min
DVD
2004
A montage of found family footage from a public archive in Hungary. Daily scenes in an average family-life on relationships, dependencies, abuse of power and voyeurism.
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Your Blood Is As Red As Mine
Video projection
15:56 min
DVD
English subtitles
2004
A series of staged interviews and situations dealing with skin colour
and representation of “the other”.
At certain moments I took large
format photographs from the same viewpoint as the video camera.
Some of the photographs are shown along with the video.
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Your blood is as red as mine/ Portrait 01
Large format photograph
65 x 80 cm
2004
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Tagged
Video installation
13:24 min
3 synchronized DVDs
English subtitles
2003
I invited young men who spend a lot of money on clothes to bring their wardrobes to a generic hotel room,
specially constructed for the video. While changing into different outfits they talk about their backgrounds, their addiction to clothes,
and about the price they pay.
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Looking at the other/desire
Video projection
02:50 min
DVD
2003
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Only sight and touch enable us to locate the things around us
Video projection
06:50 min
DVD
2003
The video shows ritual every day movements of a woman who is suffering
of an illness that numbed her sense of touch by killing all the outer nerve ends of her body.
In order to be able to live independently she had to relearn all movements
of her life again only controlling them with her eyes. She is filmed in her house
where she also has several turtles, which are in many cultures seen
as the symbol for the sense of touch, the fifth sense.
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The highest point
Video projection
12:40 min
DVD
English subtitles
2002
I placed an ad in newspapers asking for women who want to talk about their sexuality.
Over 30 women responded. Many explained that they wished to create a different image
of sexuality than that found in current media. All the women were filmed in the same place;
a place that suggests both a private house and a consulting room.
The women describe their orgasms in dry and technical language while demonstrating
the positions they would generally use.
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Train
Video projection
06:20 min
DVD
English subtitles
2001
I invited a group of young men on the street to be in a video in which they would talk about women and love.
During the filming I lead the conversation through questions (not audible in the video),
but without a script. The roles they played are close to their own roles in the group,
but I asked them to exaggerate certain parts of their opinions on women. The video was shot in a train.
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Queue
Synchronized four monitor installation (split-screen)
04:50 min
4 DVD's
English subtitles
2001
Shot outside a nightclub, a surreptitiously placed actor discusses his intimate private life in front of a staged TV crew.
The video captures the reactions of the surrounding bystanders to his stories and their interaction with the TV camera.
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Plush
3 monitors Installation
03:20 min
3 synchronized DVD's
2001
An identical triplet talk about their own ideas and expectations dominated
by clichés while each of them also individually refers to the facts of their life.
Filmed in the same three or four settings looking slightly different from one another,
the individual identities of the three girls remains intentionally unclear.
Furthermore the video implies the complex possibility of one actress
who is deliberately placed to represent the conservative politics by engaging in a limited,
repeated vocabulary and applying them to three different biographies.
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Interview 01
Video projection
04:31 min
DVD
English subtitles
2000
Four actors meeting for the first time haven been given personalities and relationships
upon which their dialogues have been built, then the subsequent interview was filmed during
which they have been asked to maintain the idea and appearance of their friendship while criticizing
the other actors as much as possible towards the camera.
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Series Reconstruction
4/c prints, 2000 - 2003
Reconstruction 01
4/c print
110 x 120 cm
2000
In order to question the politics imbedded in the visual clichés of immigrant populations,
a series of photographs of subjects posing as immigrants in their 'native costumes' have been created.
These immigrants are found in an unexpected and/ or inappropriate settings in relation to their racial and cultural background.
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Study for Reconstruction 05
4/c Print
80 x 85 cm
2001
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Forms
Video projection
02:40 min
DVD
2000
A gliding camera follows two women in djellaba and headscarf walking between the cars in a parking lot.
After a while, one gradually discovers that only the outlines of their faces and dresses seem to suggest their identity,
while the individual features of their faces have disappeared
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Without title
Video projection
03:40 min
DVD
2000
Shot during a slow moving rush hour traffic, a group of drivers have been subject to a voyeuristic perspective.
In one car a man is found having a screaming fit while the woman next to him calmly and blankly keeps staring out of the window.
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R+J
01:52 min
DVD
1999
A young couple found in an iconic embrace was asked to remain in the same position for an extended period of time.
The only detectable movements in the work are their breathing and the surface of water in the lake behind them.
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Series without title '98, '99
Nr. 8 from without title '98
4/c print, Diasec
75 x 75 cm
1998
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Julika Rudelius lives and works
in Amsterdam and New York |
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Solo exhibitions
2006
– 'Geld! Julika Rudelius'
Grazer Kunstverein, Graz, AU
2005
– Julika Rudelius. Vijf videowerken 2001–2005
Frans Hals Museum/De Hallen, Haarlem, NL (cat)
– Studio Manuela Klerkx, Milan, I
– Ansichten der Ökonomie/Economic Primacy
Kunstraum Lakeside, curated by Hedwig Saxenhuber,
Die Springerin, Klagenfurt, AU
2004
– Galerie Reinhard Hauff, Stuttgart, D
– Plus ou moins jeunes
Centre Culturel Suisse, Paris, F
– Feuilleton, deel vijf
Marres, centrum voor actuele kunst, Maastricht, NL (cat)
– BijlmAir: Your Blood is as Red as Mine
Stedelijk Museum Bureau Amsterdam/
Artotheek Zuidoost, Amsterdam, NL
2003
– You can’t stay in the 80s wearing cowboy boots
while the whole world progresses
Kunsthaus Glarus, CH (cat)
2001
– Galerie Diana Stigter, Amsterdam, NL
– Talkshow
Stedelijk Museum Bureau Amsterdam, NL (cat)
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Group exhibitions (a selection)
2007
– Global Feminisms
Brooklyn Museum, Brooklyn, USA (cat)
– Global Feminisms
Davis Museum and Cultural Center, Wellesley, USA
– Ready Media
Montevideo/Time based arts, Amsterdam, NL
2006
– Gwangju Biennale
Gwangju, Korea (cat)
– Dutch Dare
ACP, Sidney, Australia
– Monitoring
Kulturbahnhof Kassel, Kassel, D
– The youth of today
Schirn Kunsthalle Frankfurt, Frankfurt, D (cat)
– Eastern Neighbours
Cultural Center Babel, Utrecht, NL
– World Unlimited
Museum voor Moderne Kunst Arnhem, Arnhem, NL
– Domestic Affairs
PROJEKT 0047, Berlin, D
– Momentum 2006
4th Nordic Festival of Contemporary Art, Moss, Norway
– Again for tomorrow (screening 'economic primacy' + discussion)
Royal College of Art Galleries, London UK
– 30th annual, 6th Biennial exhibition of Visual + Art: Give (a)way
Limerick, IR
2005
– Respect! Formes de cohabitation/Vormen van samenleven
Musée Dar Si Saïd, Marrakech, M (cat)
– A Second Sight
International Biennale of Contemporary Art 2005’,
National Gallery, Prague, CZ (cat)
– Recreating the Case
Kunsthaus Glarus, CH
– Migration
Kölnischer Kunstverein, Cologne, D (cat)
– Populism
Stedelijk Museum Amsterdam, NL
– Populism
Frankfurter Kunstverein, Frankfurt a.M., D
– Populism
The Contemporary Art Center, Vilnius, LIT
– Documentary Strategies
TENT. Centre for Visual Arts, Rotterdam, NL (cat)
– Moving..on... Handlungen an Grenzen –
Strategien antirassistischen Handeln
Neue Gesellschaft für Bildende Kunst, Berlin, D (cat)
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2004
– Untitled
Tate Modern, London, UK
– Rheinschau – Art Cologne Projects
Rheinforum, Cologne, D,
organized by Stedelijk Museum Bureau Amsterdam
– Histoire(s) Parallèle(s) création – confrontation France Pays-Bas
Institut Néerlandais, Paris, F (cat)
– Over zee, land en gezicht
Museum Valkhof, Nijmegen, NL
– Grenzeloos Kijken
Film by the Sea Festival, Scheveningen, NL
– Revisie
Dutch Film Festival, Centraal Museum, Utrecht, NL
– Antonietta Peeters, Julika Rudelius en Lily van der Stokker
Stedelijk Museum, Schiedam, NL
– Verworpenen en zondagskinderen: Aanwinsten 2003
Frans Hals Museum, Haarlem, NL
– Teenage Kicks. Adolescence as subject
The Gallery, Royal Hibernian Academy, Dublin, IR (cat)
– Wirklich wahr! Realitätsversprechen von Fotografien
Ruhrlandmuseum, Essen, D (cat)
– Art Rotterdam with Galerie Diana Stigter
Rotterdam, NL
– LISTE Basel with Kunsthaus Glarus
Basel, CH
– Das zweite Bild
dreizehnzwei, Wien, Ö/Galerie Olaf Stüber, Berlin, D (cat)
2003
– Link
Stedelijk Museum Amsterdam, NL (cat)
– Contemporary Dutch Art
National Museum of Contemporary Art, Seoul, KR (cat)
– Strangers, The First ICP Triennial of Photography and Video
International Center of Photography, New York, USA (cat)
– Utopie van de periferie
Stedelijk Museum Aalst, B
– Turbulence
Centre for Contemporary Art, Kiev, UKR (cat)
– Child in Time. Views of contemporary artists on youth and adolescence
Gemeentemuseum Helmond, NL (cat)
– Turbulence
Museum voor Moderne Kunst, Arnhem, NL
– Beyond beauty
Galerie Diana Stigter, Amsterdam, NL
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2002
– Rendez-vous
Musée d'Art Contemporaine de Lyon, F
– Faces, people and society
Frans Hals Museum, Haarlem, NL
– There’s no accounting for other peoples relationships
Ormeau Baths Gallery, Belfast, IR
– Sold
Christie’s, Amsterdam, NL (cat)
– Non-Members only
Arti et Amicitiae, Amsterdam, NL
– Jong
with Rineke Dijkstra, De Beeldbank, TU Eindhoven, NL
– LISTE Basel with Galerie Diana Stigter
Basel, CH
– Dark Spring
Ursula Blickle Stiftung, Kraichtal, D (cat)
– Non Places
Frankfurter Kunstverein, Frankfurt, D (cat)
– A’dam & Eve
De Appel, Amsterdam, NL
– The People’s Art
Witte de With, Rotterdam (cat)
2001
– You never walk alone
Stroom, haags centrum voor beeldende kunst, The Hague, NL
– Commitment, een keuze uit drie jaar Fonds BKVB
Las Palmas, Rotterdam, NL (cat)
– From Here to Reality – a dutch show
Index The Swedish Contmporary Art Foundation, Stockholm, S (cat)
– A Arte do Povo
Central Eléctrica do Freixo, Porto, P
2000
– For Real
Stedelijk Museum, Amsterdam, NL (cat)
– Hellenistic
W139, Amsterdam, NL
– Scripted Spaces
Witte de With, Rotterdam, NL
– Man muss ganz schön viel lernen um hier zu funktionieren
Frankfurter Kunstverein, Frankfurt a. M., D
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Exhibition catalogues (a selection)
2006
– EV+A, 2006 - give (a) way
Oysterhaven, Kinsale: Gandon Editions, pp. 18/19, 192-195
– The Youth of Today
Köln: Verlag der Buchhandlung Walter König, pp. 48, 199
2005
– Respect! Formes de cohabitation/Vormen van samenleven
Amsterdam: Mondriaan Foundation
– International Biennale of Contemporary Art
Prague: National Gallery, pp. 572-573
– Projekt Migration
Cologne: Kölner Kunstverein, pp. 196-197
– The Populism Catalogue
Berlin/New York: Lukas & Sternberg
– Documentary now!
Rotterdam: NAi Publishers, p. 30
– Moving on. Border Activism – Strategies for Anti-Racist Actions
Berlin: Neue Gesellschaft für Bildende Kunst
– Stedelijk Museum Amsterdam 2003/2004
Amsterdam: Stedelijk Museum, p 92/93
2004
– Histoire(s) Parallèle(s) création – confrontation France Pays-Bas
Erik Kessels, Gabriel Bauret, Paris: Filigranes Éditions
– Teenage Kicks, adolescence as subject
Dublin: Royal Hibernian Academy
– Wirklich wahr! Realitätsversprechen von Fotografien
Sigrid Schneider, Stefanie Grebe (eds), Ostfildern (Ruit): Hatje Cantz
– Das zweite Bild
text by Melanie Ohnemus, Wien: dreizehnzwei
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2003
– You can’t stay in the 80s wearing cowboy boots
while the whole world progresses
interview by Jan van Adrichem, Glarus: Kunsthaus Glarus
– We Show Art, 10 Years Stedelijk Museum Bureau Amsterdam
Amsterdam: Artimo, pp. 497-508
– Link
Amsterdam: Stedelijk Museum Amsterdam/Rotterdam:
NAi Publishers
– XL Photography 2, Art Collection Deutsche Börse
Ostfildern (Ruit): Hatje Cantz, p. 62-63
– In or Out, Contemporary Dutch Art
Amsterdam: Canvas Foundation/Seoul: Yellow Sea Cultural Network
p. 170-185
– Strangers, The First ICP Triennial of Photography and Video
Edward Earle et al (eds), New York: International Center of
Photography/Göttingen: Steidel, p. 92-95
– Turbulence
Arnhem: Museum voor Moderne Kunst
– Prix de Rome 2003, Art and Public Space
Rotterdam: 010 Publishers, p. 52-53
– Child in Time. Visies van hedendaagse kunstenaars
op jeugd en adolescentie
Frank Hoenjet, Linda Modderkolk,
Helmond: Gemeentemuseum Helmond, p. 33
2002
– There’s No Accounting for Other People’s Relationships
text by Suzanna Chan, Belfast: Ormeau Baths Gallery (leaflet)
– Regionalisten
Siebren de Haan, “Cosmo Pubers”, Nijmegen:
Paraplufabriek/Amsterdam: VRIZA, p. 28-31
– Commitment, een keuze uit drie jaar Fonds BKVB
Lex ter Braak, Edwin Jansen, Amsterdam:
Fonds voor beeldende kunsten vormgeving en bouwkunst
– Nabeelden. Album van niet gemaakte foto’s
Amsterdam: De Balie, p.78-81
– Dark Spring
Kraichtal: Ursula Blickle Stiftung
– Non places
New York: Lukas & Sternberg, p. 46-47
2001
– From Here to Reality
Stockholm: Index The Swedish Contemporary Art Foundation
– The People’s Art/A Arte do Povo
Rotterdam: Witte de With/Porto: Central Eléctrica do Freixo, p. 51
– This is for real
Amsterdam: Stedelijk Museum Amsterdam/NAi Publishers
Rotterdam, p. 67-69
– Nieuwsbrief Stedelijk Museum Bureau Amsterdam no.64
Charles Escher, “Talkshow”
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Articles (a selection)
2006
– “Artforum”
People's Party
Sven Lütticken
January 2006 p61-62
– “Frieze" nr. 96
Emerging Artists
January/February 2006 p. 123
2005
– “Art Review”
Future greats 2005
December 2005 p. 78
– “De Witte Raaf 116”
Postpolitiek, pop en populisme
Sven Lütticken
July/August 2005 p. 30-31
– “Denieuwe” Jaargang 8 Nr. 7
Vol van plaatsvervangende schaamte
Saskia Monshouwer
p. 21-22
– “Tages Anzeiger”
Im Kaffeefleck die Welt sehen
23.09.2005 p. 63
– “Neue Züricher Zeitung”
Eine andere Sicht
5.11.2005 p. 48
2004
– “Het Parool (PS van de week)”
Schildenpadden en speldenprikjes
Kees Keijer,
25 October 2004
– “Kunstbeeld”
De ambivalentie van goede bedoelingen
Saskia Monshouwer
10 October 2004 p. 22-23
– “Vrij Nederland”
Ik kijk door de ogen van een witte trut
Barbara van Erp
1 May 2004
– “Flash Art”
Julika Rudelius
Douglas Heingartner
January 2004
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2003
– “De Groene Amsterdammer”
En ik dan
Maria Barnas
2 August 2003, p. 34-36
– “Tubelight” nr. 29
Reality-art
Martine van Kampen, Jaap Vinken
November 2003
– “Skrien”
Ik ga er niet bij lopen als een crimineeltje
Jacquine van Elsberg
November 2003 p. 55
2002
– “Frankfurter Rundschau Magazin”
Focus auf Julika Rudelius
Vanessa Joan Müller
13 April 2002
2001
– “BLVD”
De raadselachtige video’s van Julika Rudelius
Sjoukje Posthuma
December 2001
– “NRC Handelsblad (CS)”
Tussen echt en nep, gedragsexperimenten van Julika Rudelius
Maartje Somers
14 December 2001
2000
– “Skrien” nr. 240
Art house, Julika Rudelius
Jacquine van Elsberg
February 2000, p.59
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Publications
2006
– Julika Rudelius, Looking at the other, Five Video Works
104 pages
21,6 x 27,9 mm
Text in English
Essay by: Sven Lütticken
Design: Thomas Buxó
ISBN 90-78088-05-2
Price € 24,50
Valiz publishers, www.valiz.nl
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Television broadcasting
2004
– Julika Rudelius
documentary RAM, VPRO television
25 April 2004
– Metrópolis
Televisión Española, viewing of “The highest point” and “Tagged”
Screenings at video festivals (a selection)
– European Media Art Festival, Osnabrück, D
– Ann Arbor Film Festival, USA
– Impakt Festival, Utrecht, NL
– 9th Rio de Janeiro International Short Film Festival, BR
– International Film Festival, MEDIAWAVE, Hungary
– Festival International du Film d’Amiens, F
– Bandits Images, Bourges, F
– Lux, Nijmegen, NL
– 2nd Annual Detroit International Video Festival, Museum of New Art, Detroit, USA
– Maison Européenne de la Photographie, Paris, F
– Nederlands Film Festival, Utrecht, NL
– International Festival of New Film, Split, HR
– Video festival, National Cinema Museum, Turin, I.
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Commissions
2001
– Oost Kunst/East Art, Kunst in het Oostelijk Haven-gebied
van Amsterdam / Art in Amsterdam’s Eastern Docks Area
Photo works, 010 Publishers, Rotterdam, NL
2000
– SKOR/Annual Report 2000
Video and stills produced for Amsterdam, NL
1998
– Without title ’98
Illustration of the Annual Report of the Council for Culture
(Raad voor Cultuur), NL: photo works
Grants/Prizes
2004
– Nederlands Film Festival
special mention Dutch film critics for “Tagged”
1999
– Robert Bosch Stiftung
Stuttgart
2000
– KLM (Royal Dutch Airlines)
Amsterdam
Residencies
2006
– International studio & curatorial program
NYC, USA
2003
– BijlmAir residency from Stedelijk Museum Bureau Amsterdam
Artotheek Zuidoost, NL
1999–2001
– Rijksakademie van beeldende kunsten
Amsterdam, NL |
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To obtain a password for press photos and text please contact:
j@rudelius.org
To request showreel please contact:
j@rudelius.org
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